Mark Murphy/ Bop for Kerouac
“I want to be considered a jazz poet . . .” i Don’t miss Mark Murphy’s 1981 recording “Bop for...
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Posted by GK Stritch | May 1, 2014 | Reviews
“I want to be considered a jazz poet . . .” i Don’t miss Mark Murphy’s 1981 recording “Bop for...
Read MorePosted by GK Stritch | Aug 8, 2013 | Memoirs, Fiction & Poetry
“They are hip without being slick, they are intelligent without being corny, they are intellectual...
Read MorePosted by David S. Wills | Jan 28, 2012 | Beatdom Content, Essays
by Paul Arendt Jack Kerouac’s surroundings invariably affected his writing style. Narrator Leo Percepied’s voice in The Subterraneans reflected Kerouac’s emergent interest in psychology, and the author’s vision of the...
Read MorePosted by Nick Meador | Oct 24, 2011 | Beatdom Content, Essays
At the turn of the 1960s, Jack Kerouac found himself in a profound state of limbo, the climax of...
Read MorePosted by David S. Wills | Apr 20, 2010 | Beatdom Content
One of the great mysteries of the Beat Generation is that of Alene Lee. She is, or rather, was, an enigma. Jack Kerouac wrote about her (as Mardou Fox in The Subterraneans and Irene May in Book of Dreams and Big Sur) but the...
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